THE ARTIST PROJECT: John Currin On Ludovico Carracci's The Lamentation
"It sets up rules and then contradicts them, and exists in a paradoxical state of real and unreal." The Lamentation is a great piece of work for the painter, John Currin, because it streams his thoughts to different places, and then back to himself. The oil painting is consistent in two places, once with Christ's human form, and the second with the elongated four figures.
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THE ARTIST PROJECT: Barry X Ball on an Egyptian fragment of a queen’s face
A sculptor himself, Barry X Ball observes the effects of destruction on statues dating all the way back to ancient Egypt. Missing features from a once full human facial sculpture, Barry says there is no loss, and maybe even, there is more power in it
THE ARTIST PROJECT: Annabeth Rosen on Ceramic Deer Figurines
As a sculptor and ceramicist, artist Annabeth Rosen relishes the satisfaction of creating tangible objects. While exploring the earthenware collection of the Metropolitan, Rosen considers the influence of these objects upon her own artistic practice.
THE ARTIST PROJECT: Alexander Melamid on Ernest Meissonier's "1807, Friedland"
The visual impact and political connotations of Jean-Louis-Ernest Meissonier’s 1807, Friedland resonate with Russian-born artist Alexander Melamid, who has long been fascinated with the higher power in art.
THE ARTIST PROJECT: Barbara Bloom On Vilhelm Hammershøi's Moonlight, Strandgade 30
How can you depict something that is not there? Barbara Bloom is held by this very concept as she stares into one of the many lonely and loving interior paintings by Vilhelm Hammershøi's. The painting asks her to not ask what is happening in the room
THE ARTIST PROJECT: Ann Hamilton on a Bamana Marionette
Though artist Ann Hamilton enjoys to aimlessly discovering new works in a museum, she finds herself returning to the Bamana marionette again and again. Hamilton describes the power this small and simple figure holds, and imagines the animation and mo
THE ARTIST PROJECT: An-My Lê on Eugène Atget's "Cuisine"
"There's a sense of care that goes into the preparation of a meal.” Photographer An-My Lê did not choose Eugène Atget's Cuisine because it is one of Atget’s masterpieces, but because the photograph speaks deeply to her own formative experience.