THE ARTIST PROJECT: Lee Mingwei On Chinese Ceremonial Robes
"You can change your skin and put on a different robe and you’re a different person." Conceptual artist, Lee Mingwei, describes the strict symbolism on three Chinese ceremonial robes. Weaving dragons surrounded by wavy clouds and soft fire is reserved for emperors, who are as mystical and powerful as the design.
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THE ARTIST PROJECT: Ali Banisadr On Hieronymus Bosch's The Adoration Of The Magi
Among the ruins and contained figures, Ali Banisadr hears sounds travelling through walls, channeling an unknown psyche in Hieronymus Bosch's painting. The composition brings him into the painting through vision and sound, allowing him to be a part o
THE ARTIST PROJECT: An-My Lê on Eugène Atget's "Cuisine"
"There's a sense of care that goes into the preparation of a meal.” Photographer An-My Lê did not choose Eugène Atget's Cuisine because it is one of Atget’s masterpieces, but because the photograph speaks deeply to her own formative experience.
THE ARTIST PROJECT: Alexander Melamid on Ernest Meissonier's "1807, Friedland"
The visual impact and political connotations of Jean-Louis-Ernest Meissonier’s 1807, Friedland resonate with Russian-born artist Alexander Melamid, who has long been fascinated with the higher power in art.
THE ARTIST PROJECT: Barry X Ball on an Egyptian fragment of a queen’s face
A sculptor himself, Barry X Ball observes the effects of destruction on statues dating all the way back to ancient Egypt. Missing features from a once full human facial sculpture, Barry says there is no loss, and maybe even, there is more power in it
THE ARTIST PROJECT: Adam Fuss on a Marble Grave Stele of a Little Girl
"She’s saying goodbye to the world, and isn’t that masterful of an artist to capture that reluctance?" British photographer Adam Fuss is drawn to an extraordinarily beautiful grave marker of a young girl.
THE ARTIST PROJECT: Arlene Shechet on a Bronze Statuette of a Veiled and Masked Dancer
"When an artist is in love with the piece that communicates very well over time. So thousands of years later, we’re still feeling it." For the past two decades, sculptor Arlene Shechet has returned to a small bronze statuette of a dancer.