THE ARTIST PROJECT: Edmund De Waal On An Ewer In The Shape Of A Tibetan Monk's Cap
"I’m trying to work out what making pure objects in this impure world means." Potter, Edmund De Waal, is fascinated by moments where an artist decides to not decorate an object, allowing white space to remain. This particular white porcelain pot has aged 600 centuries. It transcends with Chinese philosophy of purification and mourning, yet can be mistaken for a modern work of art.
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THE ARTIST PROJECT: An-My Lê on Eugène Atget's "Cuisine"
"There's a sense of care that goes into the preparation of a meal.” Photographer An-My Lê did not choose Eugène Atget's Cuisine because it is one of Atget’s masterpieces, but because the photograph speaks deeply to her own formative experience.
THE ARTIST PROJECT: Adam Fuss on a Marble Grave Stele of a Little Girl
"She’s saying goodbye to the world, and isn’t that masterful of an artist to capture that reluctance?" British photographer Adam Fuss is drawn to an extraordinarily beautiful grave marker of a young girl.
THE ARTIST PROJECT: Ali Banisadr On Hieronymus Bosch's The Adoration Of The Magi
Among the ruins and contained figures, Ali Banisadr hears sounds travelling through walls, channeling an unknown psyche in Hieronymus Bosch's painting. The composition brings him into the painting through vision and sound, allowing him to be a part o
THE ARTIST PROJECT: Barbara Bloom On Vilhelm Hammershøi's Moonlight, Strandgade 30
How can you depict something that is not there? Barbara Bloom is held by this very concept as she stares into one of the many lonely and loving interior paintings by Vilhelm Hammershøi's. The painting asks her to not ask what is happening in the room
THE ARTIST PROJECT: Ann Agee on the Villeroy "Harlequin Family"
Although sculptor and visual artist Ann Agee did not always admire ceramics aesthetically, she was attracted to the medium’s tension between fine art and decorative object. As Agee explores The Jack and Belle Linsky Collection at the Metropolitan Mus
THE ARTIST PROJECT: Arlene Shechet on a Bronze Statuette of a Veiled and Masked Dancer
"When an artist is in love with the piece that communicates very well over time. So thousands of years later, we’re still feeling it." For the past two decades, sculptor Arlene Shechet has returned to a small bronze statuette of a dancer.