THE ARTIST PROJECT: Joan Snyder On Florine Stettheimer's Cathedrals Paintings
"She had almost a cinematic sensibility. She wanted to tell the whole story." Walking across four large, vibrant and cinematic paintings by Florine Stettheimer, painter Joan Snyder notices that within the innocent subject matter, there are figures with attitude in such rich, complex environments.
The Artist Project Similar Videos
THE ARTIST PROJECT: Barry X Ball on an Egyptian fragment of a queen’s face
A sculptor himself, Barry X Ball observes the effects of destruction on statues dating all the way back to ancient Egypt. Missing features from a once full human facial sculpture, Barry says there is no loss, and maybe even, there is more power in it
THE ARTIST PROJECT: Adam Fuss on a Marble Grave Stele of a Little Girl
"She’s saying goodbye to the world, and isn’t that masterful of an artist to capture that reluctance?" British photographer Adam Fuss is drawn to an extraordinarily beautiful grave marker of a young girl.
THE ARTIST PROJECT: An-My Lê on Eugène Atget's "Cuisine"
"There's a sense of care that goes into the preparation of a meal.” Photographer An-My Lê did not choose Eugène Atget's Cuisine because it is one of Atget’s masterpieces, but because the photograph speaks deeply to her own formative experience.
THE ARTIST PROJECT: Alexis Rockman on Martin Johnson Heade's Hummingbird and Passionflowers
"This picture is a time capsule and almost a heartbreaking artifact…" The son of an archaeologist, American painter Alexis Rockman is deeply aware of fragility of civilisation. Watch as he considers Martin Johnson Heade's romantic painting of Brazil.
THE ARTIST PROJECT: Ann Agee on the Villeroy "Harlequin Family"
Although sculptor and visual artist Ann Agee did not always admire ceramics aesthetically, she was attracted to the medium’s tension between fine art and decorative object. As Agee explores The Jack and Belle Linsky Collection at the Metropolitan Mus
THE ARTIST PROJECT: Alexander Melamid on Ernest Meissonier's "1807, Friedland"
The visual impact and political connotations of Jean-Louis-Ernest Meissonier’s 1807, Friedland resonate with Russian-born artist Alexander Melamid, who has long been fascinated with the higher power in art.