THE ARTIST PROJECT: Sopheap Pich On Vincent Van Gogh's Drawings
"It’s about focus, it’s about attention, but it’s also about being free …" In his early drawings, Sopheap says Vincent van Gogh is trying to figure out how to portray the branches, people and roads. But by his later work, there is a sense of surrender as if the object itself is telling van Gogh how to describe it through art.
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THE ARTIST PROJECT: Alexander Melamid on Ernest Meissonier's "1807, Friedland"
The visual impact and political connotations of Jean-Louis-Ernest Meissonier’s 1807, Friedland resonate with Russian-born artist Alexander Melamid, who has long been fascinated with the higher power in art.
THE ARTIST PROJECT: Annabeth Rosen on Ceramic Deer Figurines
As a sculptor and ceramicist, artist Annabeth Rosen relishes the satisfaction of creating tangible objects. While exploring the earthenware collection of the Metropolitan, Rosen considers the influence of these objects upon her own artistic practice.
THE ARTIST PROJECT: Barbara Bloom On Vilhelm Hammershøi's Moonlight, Strandgade 30
How can you depict something that is not there? Barbara Bloom is held by this very concept as she stares into one of the many lonely and loving interior paintings by Vilhelm Hammershøi's. The painting asks her to not ask what is happening in the room
THE ARTIST PROJECT: Alexis Rockman on Martin Johnson Heade's Hummingbird and Passionflowers
"This picture is a time capsule and almost a heartbreaking artifact…" The son of an archaeologist, American painter Alexis Rockman is deeply aware of fragility of civilisation. Watch as he considers Martin Johnson Heade's romantic painting of Brazil.
THE ARTIST PROJECT: Arlene Shechet on a Bronze Statuette of a Veiled and Masked Dancer
"When an artist is in love with the piece that communicates very well over time. So thousands of years later, we’re still feeling it." For the past two decades, sculptor Arlene Shechet has returned to a small bronze statuette of a dancer.
THE ARTIST PROJECT: An-My Lê on Eugène Atget's "Cuisine"
"There's a sense of care that goes into the preparation of a meal.” Photographer An-My Lê did not choose Eugène Atget's Cuisine because it is one of Atget’s masterpieces, but because the photograph speaks deeply to her own formative experience.