THE ARTIST PROJECT: Sopheap Pich On Vincent Van Gogh's Drawings
"It’s about focus, it’s about attention, but it’s also about being free …" In his early drawings, Sopheap says Vincent van Gogh is trying to figure out how to portray the branches, people and roads. But by his later work, there is a sense of surrender as if the object itself is telling van Gogh how to describe it through art.
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THE ARTIST PROJECT: Ann Hamilton on a Bamana Marionette
Though artist Ann Hamilton enjoys to aimlessly discovering new works in a museum, she finds herself returning to the Bamana marionette again and again. Hamilton describes the power this small and simple figure holds, and imagines the animation and mo
THE ARTIST PROJECT: Barbara Bloom On Vilhelm Hammershøi's Moonlight, Strandgade 30
How can you depict something that is not there? Barbara Bloom is held by this very concept as she stares into one of the many lonely and loving interior paintings by Vilhelm Hammershøi's. The painting asks her to not ask what is happening in the room
THE ARTIST PROJECT: An-My Lê on Eugène Atget's "Cuisine"
"There's a sense of care that goes into the preparation of a meal.” Photographer An-My Lê did not choose Eugène Atget's Cuisine because it is one of Atget’s masterpieces, but because the photograph speaks deeply to her own formative experience.
THE ARTIST PROJECT: Alexander Melamid on Ernest Meissonier's "1807, Friedland"
The visual impact and political connotations of Jean-Louis-Ernest Meissonier’s 1807, Friedland resonate with Russian-born artist Alexander Melamid, who has long been fascinated with the higher power in art.
THE ARTIST PROJECT: Ann Agee on the Villeroy "Harlequin Family"
Although sculptor and visual artist Ann Agee did not always admire ceramics aesthetically, she was attracted to the medium’s tension between fine art and decorative object. As Agee explores The Jack and Belle Linsky Collection at the Metropolitan Mus
THE ARTIST PROJECT: Annabeth Rosen on Ceramic Deer Figurines
As a sculptor and ceramicist, artist Annabeth Rosen relishes the satisfaction of creating tangible objects. While exploring the earthenware collection of the Metropolitan, Rosen considers the influence of these objects upon her own artistic practice.