THE ARTIST PROJECT: Zhang Xiaogang On El Greco's The Vision Of Saint John
"Art should express what is inside someone. It should express a person’s unique perspective." Francisco Goya was one of the first artists to take a leap, twist his composition, with unreal palette and rising figures. In a time where artists were mainly focusing on society and realism. Goya already began to contemplate a terribly important subject matter, Zhang Xiaogang says. His paintings expressed a person's psychological interiority.
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THE ARTIST PROJECT: Arlene Shechet on a Bronze Statuette of a Veiled and Masked Dancer
"When an artist is in love with the piece that communicates very well over time. So thousands of years later, we’re still feeling it." For the past two decades, sculptor Arlene Shechet has returned to a small bronze statuette of a dancer.
THE ARTIST PROJECT: Ali Banisadr On Hieronymus Bosch's The Adoration Of The Magi
Among the ruins and contained figures, Ali Banisadr hears sounds travelling through walls, channeling an unknown psyche in Hieronymus Bosch's painting. The composition brings him into the painting through vision and sound, allowing him to be a part o
THE ARTIST PROJECT: Barry X Ball on an Egyptian fragment of a queen’s face
A sculptor himself, Barry X Ball observes the effects of destruction on statues dating all the way back to ancient Egypt. Missing features from a once full human facial sculpture, Barry says there is no loss, and maybe even, there is more power in it
THE ARTIST PROJECT: Ann Hamilton on a Bamana Marionette
Though artist Ann Hamilton enjoys to aimlessly discovering new works in a museum, she finds herself returning to the Bamana marionette again and again. Hamilton describes the power this small and simple figure holds, and imagines the animation and mo
THE ARTIST PROJECT: Annabeth Rosen on Ceramic Deer Figurines
As a sculptor and ceramicist, artist Annabeth Rosen relishes the satisfaction of creating tangible objects. While exploring the earthenware collection of the Metropolitan, Rosen considers the influence of these objects upon her own artistic practice.
THE ARTIST PROJECT: Barbara Bloom On Vilhelm Hammershøi's Moonlight, Strandgade 30
How can you depict something that is not there? Barbara Bloom is held by this very concept as she stares into one of the many lonely and loving interior paintings by Vilhelm Hammershøi's. The painting asks her to not ask what is happening in the room