Tim Marlow at the 57th Venice Biennale: The Giardini
In the first of a three-part series, Tim Marlow, artistic director of the Royal Academy of Arts, London, shares his opening-day impressions from the centre of the action – the national pavilions.
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The Department of Design and Architecture has amassed a collection of over 10,000 objects – including works from past exhibitions and donor gifts, each reflecting the taste and style of the Department’s curators over the years. Featuring hundreds of
No Place Like Home
By altering material, scale, perspective, or by employing hybridization, fragmentation, and relocation, artists transform domestic objects in order to change our relationship with them and to provoke a fresh response to the familiar. No Place Like Ho
A Mummy in Jerusalem: Secrets of the Afterlife
On view from 27 July 2016–22 April 2017, this exhibition focused on a 2,200-year-old Egyptian mummy displayed in its original coffin, alongside objects from various tombs typically used in Egyptian funerary rites until the rise of Christianity in Egy
Inside the Reading Room of the Department of Manuscripts
The reading room of the Department of Manuscripts is one of the first reading rooms of the Bibliothèque nationale de France to reopen its doors to the public on 15 December 2016 following its renovation.
Tim Marlow’s Must-See Museum Shows: September
Among Tim Marlow’s four recommendations this month: an exhibition charting the resilience of Abstraction and the dreamlike – and sometimes explosive – creations of Cai Guo-Qiang in Russia.
LACMA Reimagined: Vera Lutter’s Transformative Photographs
Earlier this year, LACMA engaged artist Vera Lutter – through a commission sponsored by Sotheby’s – to create a series of works using camera obscura, her signature technique. Her large-scale photographs depict two-dimensional works from the permanent