Alexander Calder’s Jerusalem Stabile at The Huntington
Sandy Rower, president of the Calder Foundation, discusses the process and creation of Alexander Calder's last signed stabile, which was lent to The Huntington in 2015. Learn more about this work.
Real American Places: Edward Weston and ‘Leaves of Grass’
The photographs from this exhibition illuminate an understudied chapter of Edward Weston’s career. In 1941, the Limited Editions Book Club approached him to collaborate on a deluxe edition of Walt Whitman’s poetry collection, “Leaves of Grass.”
Highlights from the Fielding Collection of Early American Art: 1776 Pocketbook
Karin Fielding describes a vibrant needlework pocketbook made by young Elizabeth Fellows in 1776. The piece, done in a flame-stitch pattern, includes a delicate length of handmade tape, used to close the purse.
Highlights from the Fielding Collection of Early American Art: Portrait of Albert G. Gilman
Jonathan Fielding describes A. Ellis’s 1831 painting of Albert G. Gilman. Of the fifteen known portraits by Ellis, many of those are in disrepair. Fielding says this particular work is an “exceptional piece” with vibrant colours and a modern flair.
Highlights from the Fielding Collection of Early American Art: Sheldon Peck Portrait
Jonathan Fielding talks about an untitled portrait painted in the 1820s by Sheldon Peck. The painting was uncovered in 1997 by the popular television series Antiques Roadshow.
Highlights from the Fielding Collection of Early American Art: Collecting
Jonathan and Karin Fielding talk about their collection focus on American ingenuity manifested in utilitarian American art by craftspeople in rural New England from the 18th through 19th centuries.
Highlights from the Fielding Collection of Early American Art: Portrait of the Caverly Family
Jonathan Fielding talks about the Caverly family painting hanging on the wall. The beloved piece by Joseph S. Davis, painted in the early 1836, is rich with detail, providing insight into the lives of Charles and Comfort Caverly and their son, Isaac.
Highlights from the Fielding Collection of Early American Art: Tall Case Clock
Jonathan Fielding discusses his “Tall Case Clock,” circa 1820, by Riley Whiting of Winchester, Connecticut. While Whiting painted the face and made the works, says Fielding, someone else worked on the case.
Ten Bamboo Studio Manual of Calligraphy and Painting
June Li, co-curator of the exhibition Gardens, Art, and Commerce in Chinese Woodblock Prints, explains how the “Ten Bamboo Studio Manual of Calligraphy and Painting” directly relates to founder Henry E. Huntington’s scholarly mission.
Still Looking is a series of moments with these two master photographers, Bruce Davidson and Paul Caponigro, in their homes.
Huntington Art Gallery: Chimneypiece
In elegant houses, the chimneypiece served as a room’s decorative focal point and was often carved with fashionable ornament. The carving on this example celebrates wine and the revelry that accompanies its consumption.
- Next Page